About the Author: “Family is at the core of who I am which is why I’m sharing this picture of me and my family and why families are at the center of most of my books whether it is families torn apart by injury (Worth) or absence (The Year of the Sawdust Man) or drawn together by tragedy (Water Steps and The Keening) or seeking each other (Walking Home to Rosie Lee).
When I’m not joining my family for a board game, a jaunt to the park, or a trip to the zoo, I’m usually writing or reading, but I’m also an associate professor of English at Greenville College in the academic year and a visiting associate professor in the Hollins University Summer Graduate Program in Children’s and Young Adult Literature.” (Bio taken from Author’s Website).
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Alexandria LaFaye: The past shapes us and our future so it’s important to know what happened in our personal and collective past and explore how it molded not only the people in that era, but also in the eras to come. I wrote The Year of the Sawdust Man, my first published novel in Louisiana in the 1930 because Huey Long reshaped the state in that decade and my grandfather’s family hailed from that state. Fantasy explores our own world through metaphor, allowing us to critique, expand, and project our own reality in a creative way. I love writing in new genres because it tests my skills.
AL: How those who are unique find their way in a world that suppresses individuality.
AL: I write the stories that ask to be told. Those requests come out of my subconscious and I’m personally and professionally compelled to help the next generation become the best they can be.
AL: Kids always ask me this and I have to say, “I couldn’t pick one, the others would get jealous.” Actually, I can’t answer that question because I don’t favor one book over another.
AL: That the publishing field is driven by their need to make a profit and my books are not written with profit in mind. Many editors express their admiration for my work, but aren’t ready to take a risk on purchasing a manuscript because they fear it won’t sell enough copies.
AL: Difficult, but essential. I’m fortunate to have a husband who is willing to take over the household while I venture off for a writing retreat. I also spend a lot of late nights, knowing I should be grading. Sorry students!
AL: I tried writing it in prose many times, then I had dinner with the wonderful poet Paul Janezcko who said, “Why not write it verse.” My answer was that I’d never really written much poetry. His reply was, why not start now? Why not indeed. When I started writing Pretty Omens the poetry poured out. I’ve always been a lyrical writer and apparently, poetry was the next step for me and one that came surprisingly naturally.
AL: How much space do you have? It’s not official, but a little birdie told me I may have a historical picture book in the works. More on that when it becomes official. I’m in the revision phase on a novel called Breathitt Until You Die and it’s a new adventure for me in many ways because it’s a contemporary YA about an abused teen who gets in trouble with the law, then gets a second chance with the mother he’d thought was dead. He has to learn to be loved because his father showed him only abuse. I’m also working on a teen retelling of the Sherlock Holmes story centered a Holmesian character who is neither male or female and only known as Sheer working to uncover why his Geometry teacher has been replaced by the doppelganger who killed him.
PRR Writer, Rachel Lowry