A thank you to the author, Natsu Hyuuga, who brought the light novel—a more typical novel format—to life. The first volume was made in 2014, as a digital Japanese version. It’s been many years in the making, as the first English volume I read released in 2021. And if you’re that friend who likes to know all the spoilers, there are several volumes out well ahead of everything else.
The light novel’s success is well-earned and deserving of all these adaptations, and for its own merit. The writing style so carefully matches Maomao. I love how the light novel hops right into the mystery. The first arc at the rear palace gets going before readers know the full backstory of Maomao! The author also travels in Jinshi’s thoughts, while revealing little about him. This is really fitting for the genre and overall tale. I also enjoyed how thoroughly this version explained medicinal processes and treatments in the pre-modern Chinese time period, as only novels can. Rather than seeing Maomao’s tale, you are immersed inside the world of medicine, drama, and scandal, as if you really were right beside our leads.
The first few manga volumes were published around the same time as the light novel, and illustrator Nekokurage really runs with the design. I’m a big fan of reading manga out of order—especially if I’m too excited for a tasty crumb of plot a few volumes in—so I’ll be sharing my experience with volumes 2 and 12. While the light novel gives beautiful glimpses into Maomao, Jinshi, and the key concubines, the manga elevates the visual character development. Part of why I like the second volume is because we see a change of dress and emblematic detail in character costume. Remember, this novel is set in Imperial China, and it mostly takes place in the “women’s world,” aka court. Dress, gestures, and gifts were a language of their own; if you’re curious read more to find out! The illustrator even leaves notes expressing her gratitude at getting to design side character personality alongside dress.
The manga is also the birthplace of character quirks, catchphrases, and imagery, such as Maomao’s catlike appearance, or Jinshi’s stunning glow. Perhaps the visual aides help to differentiate and make meaning to all characters, and that’s where I fall in love. All of which fit together very nicely, and if I may, particularly with an artistic vision in volume 12. The art adapts with the characters’ growing desires and never leaves me wanting.
When it comes to the television series, I simply love the passion poured into it. Released in 2023 and still kicking, I’m always entranced by the art and animation of each character. Each fluid dancing scene, each glimmering golden design of Imperial China, well they all form a vivid balance of class struggle hidden within the glamour of Imperialism. The animation never shies from the hard topics, giving voice and definition to the original story’s hinted nature.
This show’s modern perspective brings to life a seemingly complicated—and often frustrating—time period. The Japanese and English voice actors’ (VA) talent reaches a personal level that humanizes every character and every story. By far my favorite touch is Maomao’s VA’s quirks—each VA embodies her “inner voice” with verbal onomatopoeias (you’ll have to watch to get the gist) that liven up her catlike namesake and mannerisms. The added layer of voice and motions, and impressively airy soundtrack, make a presence only film can.
Regardless of your tastes, I cannot praise the series enough. I’ve heard many say it’s a global masterpiece because of the genre mix. Fans of history, romance, and action leave entertained. However, the rumor I agree with most is that this series is good because it’s true. All of the medicinal information is well-researched, and the structure of Imperial China sheds light on a wealth of history. More importantly, the characters feel real. They don’t always get the happy endings they deserve, but they live out pieces of history, stories that maybe haven’t been told until now. I’ve loved every minute of this fantasy because of its truth and humanism. So pick your poison, and come along for the ride!
Amelia Sommerhauser, Pine Reads Review Writer and Community Outreach Coordinator